Bellowsphotography portfolio template Next.js

Colorlib's own round-up of twenty-four photography templates has one that mentions session pricing, none that mention usage or licensing, and an FAQ that sends readers to a third-party service for proofing. This ships the commercial surface instead of the gallery. Eight routes: a home page that opens on the signature at full size, a frame sheet of fourteen delivered crops at equal optical area, one commission followed end to end to a fee that is a sum of its own lines, a filterable and sortable register of every frame and every licence issued against it, a licensing page that prices four usage forms and states plainly what a licence does not grant, a studio page whose delivery record shows all six of its inputs, an enquiry form that redraws the crop as the usage changes, and a living component styleguide. The signature is the cut. Every photograph is shown as the whole frame it came out of, veiled, with the delivered licensed rectangle drawn on it at full strength, and the amount the negative overhangs the page is not a design choice but sensor divided by crop. Every figure in the margin is that function's output: sixteen point six megapixels, four by five, thirty-six point six per cent of the frame, three hundred and eighty-six millimetres at 300 dpi. The build refuses a page opener whose crop is not interior on all four edges, so the drawing can never collapse into two rules on a grey field. One chromatic token, an aniline stamp plum, carries the crop mark, the corner ticks, every hairline, every figure, every link and the filled button. Everything else is achromatic. There is no status colour anywhere: a licence reads live, expiring or expired from a solid, dashed or cancelled rule and the word beside it, so the distinction survives greyscale and a colour-blind reader. The board sits at L 0.92 rather than white, because a print on white reads as a blown highlight, and the card sits above it. Radius zero, one language, no exceptions. Fourteen photographs ship uncropped at 2400 by 1600, one per delivered frame, because the crop is performed in code and a register where two frames shared a photograph would be a lie the drawing itself exposes. Sixty-three design tokens, every one re-authored for dark, all derived in OKLCH and every pair computed against its contrast tier. Self-hosted Zilla Slab, Commissioner and Inconsolata. Built for Tailwind v4, Next.js 15 and React 19, and shipped with an independently authored HTML and vanilla JavaScript edition; every colour lives in theme.css.